Boris Ord, St. Paul's Cathedral Choir, Andrew Carwood's 'Adam Lay Ybounden' came out on October 9, 2015. With Adam Lay Ybounden being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 19 in Carols With St. Paul's Cathedral Choir by St. Paul's Cathedral Choir, Andrew Carwood. Adam Lay Ybounden is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adam Lay Ybounden by Boris Ord, St. Paul's Cathedral Choir, Andrew Carwood is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM | ||
The Long Day Closes | Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach | G Major | 1 | 9B | 120 BPM | ||
Motet de Sainte-Suzanne: I. Veni sponsa Christi | François Couperin, Jennifer Vyvyan, William Herbert, George James, Alan Loveday, Sir Neville Marriner, Christopher Bunting, Ralph Downes, Boris Ord, Anthony Lewis | D Major | 1 | 10B | 77 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
I Truly Lack for Nothing | Laestadian Lutheran Church, Liisa Keranen | E Minor | 1 | 9A | 88 BPM | ||
When Jesus, Through Faith, Is My Savior SHZ 549 | Laestadian Lutheran Church, Viena Kontkanen, Kaitlyn Huhta, Ashley Niemela, Marianna Saulamaa, Liisa Keranen | C Minor | 2 | 5A | 94 BPM | ||
Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | ||
Dido and Aeneas: Act II, "Oft she visits this lone mountain" (Belinda) | Philharmonia String Chorus, Boris Ord, Philharmonia String Orchestra | D Minor | 1 | 7A | 81 BPM | ||
Madrigali: No. 2. Quando son piu lontan | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | E Minor | 1 | 9A | 99 BPM | ||
Sketch for Acappella (For Vocal Quartet) | Dora Garcidueñas, María José, Tom Smith, Samuel Penderbayne | B♭ Minor | 4 | 3A | 77 BPM |
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