"Das Rheingold: Scene 4: Fasolt und Fafner nahen von fern (Loge, Froh, Donner, Fricka, Fasolt, Wotan)" by Richard Wagner, Albert Dohmen, Ralf Lukas, Clemens Bieber, Arnold Bezuyen, Andrew Shore, Gerhard Siegel, Kwangchul Youn, Hans-Peter Konig, Michelle Breedt, Edith Haller, Christa Mayer, Fionnuala McCarthy, Ulrike Helzel, Simone Schroder, Bayreuth Festival Orchestra, Christian Thielemann was released on January 11, 2009. With this song being about 5 minutes long, at 4:52, "Das Rheingold: Scene 4: Fasolt und Fafner nahen von fern (Loge, Froh, Donner, Fricka, Fasolt, Wotan)" by Richard Wagner, Albert Dohmen, Ralf Lukas, Clemens Bieber, Arnold Bezuyen, Andrew Shore, Gerhard Siegel, Kwangchul Youn, Hans-Peter Konig, Michelle Breedt, Edith Haller, Christa Mayer, Fionnuala McCarthy, Ulrike Helzel, Simone Schroder, Bayreuth Festival Orchestra, Christian Thielemann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Der Ring des Nibelungen by Richard Wagner, Christian Thielemann. The song's track number on the album is #11 out of 255 tracks. Das Rheingold: Scene 4: Fasolt und Fafner nahen von fern (Loge, Froh, Donner, Fricka, Fasolt, Wotan) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Rheingold: Scene 4: Fasolt und Fafner nahen von fern (Loge, Froh, Donner, Fricka, Fasolt, Wotan) by Richard Wagner, Albert Dohmen, Ralf Lukas, Clemens Bieber, Arnold Bezuyen, Andrew Shore, Gerhard Siegel, Kwangchul Youn, Hans-Peter Konig, Michelle Breedt, Edith Haller, Christa Mayer, Fionnuala McCarthy, Ulrike Helzel, Simone Schroder, Bayreuth Festival Orchestra, Christian Thielemann has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Das Rheingold: Scene 4: Fasolt und Fafner nahen von fern (Loge, Froh, Donner, Fricka, Fasolt, Wotan) being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Berlioz: Symphonie fantastique, H. 48: Vb. Dies Irae | Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache | C Minor | 0 | 5A | 72 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Das Rheingold, WWV 86A / Scene 4: "Schwüles Gedünst schwebt in der Luft" | Richard Wagner, Eberhard Wächter, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 0 | 5B | 84 BPM | ||
Tchaikovsky : Symphony No.5 in E minor Op.64 : III Valse - Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 4. Carillon | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 0 | 12B | 115 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 1. Allegro Vivace | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | B♭ Major | 3 | 6B | 83 BPM | ||
Requiem, Op. 89 B. 165: Introitus: Requiem aeternam - Kyrie (Vocal Quartet, Chorus) | Antonín Dvořák, Christiane Libor, Ewa Wolak, Daniel Kirch, Janusz Monarcha, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | F Major | 1 | 7B | 77 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM |
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