"Tallis: Mass "Puer natus est nobis" a 7: Gloria" by Thomas Tallis, Choir of King's College, Cambridge, Philip Ledger was released on 1995. Since Tallis: Mass "Puer natus est nobis" a 7: Gloria is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Three Tudor Masses - Byrd/Tallis/Tye". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Tallis: Mass "Puer natus est nobis" a 7: Gloria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tallis: Mass "Puer natus est nobis" a 7: Gloria by Thomas Tallis, Choir of King's College, Cambridge, Philip Ledger having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Christ Has Risen (2) | Mark Powell, Cappella Romana, Alexander Lingas | A Minor | 3 | 8A | 93 BPM | ||
O Mors Illa | Girolamo Frescobaldi, Adrian Lucas, George Guest | G Minor | 1 | 6A | 81 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Tantum Ergo | Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
Musicalische Exequien, Op. 7, SWV 279-281: Selig sind die Toten, SWV 281 | Heinrich Schütz, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 63 BPM | ||
Come, Let Us Worship, Op. 8, No.2 | Pavel Chesnokov, Conspirare, Craig Hella Johnson | A Major | 2 | 11B | 130 BPM | ||
Motets: De ore prudentis | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Minor | 1 | 7A | 71 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM |
Section: 0.584186315536499
End: 0.5884876251220703