William Croft, York Minster Choir, Philip Moore's 'O worship the king (Hanover)' came out on 1996. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 21 in Best-Loved Hymns from York Minster by York Minster Choir/Philip Moore. O worship the king (Hanover) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O worship the king (Hanover) by William Croft, York Minster Choir, Philip Moore is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Biondo Dio del bel Permesso | Francesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena Sartori | G Minor | 1 | 6A | 82 BPM | ||
Versicles and Responses I | Bernard Rose, The Choir of Magdalen College, Oxford, Martin Souter | A Major | 0 | 11B | 78 BPM | ||
Regina coeli | Antonio Lotti, Liverpool Metropolitan Cathedral Choir, Mervyn Cousins | G Major | 1 | 9B | 77 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1 (Excerpts): No. 15, Receive Me, My Redeemer [Arr. for Choir] | Johann Sebastian Bach, The Bach Choir, David Hill | D Major | 2 | 10B | 88 BPM | ||
Mass for Double Choir: I. Kyrie | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 80 BPM | ||
O God Our Help In Ages Past | Isaac Watts, William Croft, Mormon Tabernacle Choir, Richard P. Condie | C Major | 1 | 8B | 171 BPM | ||
Liturgy of St. John Chrysostom for Chorus, Op. 31: III. Second Antiphon: "The only-begotten..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | D Minor | 0 | 7A | 85 BPM | ||
2nd Book of Madrigals for five Parts: Ecco mormorar l'onde | Claudio Monteverdi, Hallenser Madrigalisten, Andreas Göpfert | C Minor | 1 | 5A | 87 BPM | ||
Missa Secunda, Messe für vierstimmigen Chor: Kyrie | Hans Leo Hassler, Alsfelder Vokalensemble Bremen, Wolfgang Helbich | A♭ Major | 2 | 4B | 65 BPM |
Section: 0.5405797958374023
End: 0.5462172031402588