Nicol Matt, Jens Wollenschläger, Robert Sagasser, Johann Sebastian Bach, Martina Rotbauer, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Jörg Halobek, Nordic Chamber Choir, Ute Petersilge's 'Da Der Herr Christ Zu Tische Sass Bwv 285' came out on March 28, 2007. With Da Der Herr Christ Zu Tische Sass Bwv 285 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 15 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Da Der Herr Christ Zu Tische Sass Bwv 285 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Da Der Herr Christ Zu Tische Sass Bwv 285 by Nicol Matt, Jens Wollenschläger, Robert Sagasser, Johann Sebastian Bach, Martina Rotbauer, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Jörg Halobek, Nordic Chamber Choir, Ute Petersilge is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wer Nur Den Lieben Gott - Koraal | Sietze de Vries | F♯ Minor | 1 | 11A | 127 BPM | ||
Organ Concertos, Op. 4, Organ Concerto No. 2 in B-Flat Major, HWV 290: II. Allegro | George Frideric Handel, Richard Egarr, Academy of Ancient Music | A Major | 1 | 11B | 103 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 65: No. 3, "An jeder Hand die Finger" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | F Minor | 1 | 4A | 137 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VII. Domine Deus, Agnus Dei: Allegro | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D Major | 3 | 10B | 120 BPM | ||
Missa ex B: XXIX. Dona nobis pacem - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 61 BPM | ||
Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: I. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | C Major | 3 | 8B | 105 BPM | ||
Aria for Five Voices: Komm, Jesu, komm | Johann Schelle, Dorothee Mields, Kirsten Witmer, Damien Guillon, Thomas Hobbs, Peter Kooij, Philippe Herreweghe, Collegium Vocale Gent | A Major | 1 | 11B | 83 BPM | ||
Laudate pueri Dominum: No. 4, Excelsus super omnes gentes Dominus | Johann Kuhnau, Tobias Hunger, Camerata Lipsiensis, Gregor Meyer | A Major | 1 | 11B | 96 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
Wie schön leuchtet der Morgenstern, BWV 436 | Johann Sebastian Bach, Ophira Zakai, Vocalconsort Berlin, Daniel Reuss, Elina Albach | A Minor | 1 | 8A | 87 BPM |
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