Camille Saint-Saëns, Arthur Fiedler, Leo Litwin, Samuel Lipman, Martin Hoherman's 'Carnival of the Animals, R. 125: Introduction' came out on 1961. With Carnival of the Animals, R. 125: Introduction being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 15 in the song's album "Saint-Saens: Carnival of the Animals". In this album, this song's track order is #1. Carnival of the Animals, R. 125: Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carnival of the Animals, R. 125: Introduction by Camille Saint-Saëns, Arthur Fiedler, Leo Litwin, Samuel Lipman, Martin Hoherman having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux (The Carnival of the Animals), R. 125, V. L'Éléphant (The Elephant): II. Allegretto pomposo | Camille Saint-Saëns, Yuli Turovsky, I Musici de Montréal, David Owen Norris, Gregory Shaverdian, Marc-André Coallier | E♭ Major | 0 | 5B | 114 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
Adagietto | Arash Safaian, Sebastian Knauer | G Major | 0 | 9B | 89 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Peer Gynt Suite No.1, Op.46: 1. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 141 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM |
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