- BPM
- 62
- Key
- E Major
- Camelot
- 12B
La Mer - Trois esquisses symphoniques: 2. Jeux de vagues - Orchestra of Radio Luxemburg, Louis de Froment Information
- Acousticness
- 95%
- Danceability
- 11%
- Energy
- 16%
- Instrumentalness
- 87%
- Liveness
- 8%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -22.341 dB
Summary
"La Mer - Trois esquisses symphoniques: 2. Jeux de vagues" by Orchestra of Radio Luxemburg, Louis de Froment was released on November 27, 2011. La Mer - Trois esquisses symphoniques: 2. Jeux de vagues is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in San's "Instant Classical Collection - Most Popular Masterpieces, Vol. 1" album is number 39 out of 87. La Mer - Trois esquisses symphoniques: 2. Jeux de vagues is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Mer - Trois esquisses symphoniques: 2. Jeux de vagues BPM
We consider the tempo marking of La Mer - Trois esquisses symphoniques: 2. Jeux de vagues by Orchestra of Radio Luxemburg, Louis de Froment to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
La Mer - Trois esquisses symphoniques: 2. Jeux de vagues Key
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
![Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] by Franz Liszt, Oxana Yablonskaya](https://i.scdn.co/image/ab67616d00001e027de83c6c3607df60e997e186) | Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | |
 | 8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | |
 | DANCE: I. when you're broken open | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | F Major | 1 | 7B | 69 BPM | |
 | Heavenly Romanticism | Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F Major | 0 | 7B | 96 BPM | |
 | Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM | |
 | Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | |
 | Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | |
 | Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | |
 | Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.803389310836792
End: 0.8076753616333008