"Martha, Act III: "Ach so fromm, ach so traut"" by Friedrich von Flotow, Hanspeter Gmür, Jose Perez, Nurnberger Symphoniker was released on October 9, 2021. The duration of Martha, Act III: "Ach so fromm, ach so traut" is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Martha, Act III: "Ach so fromm, ach so traut"'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 50 Greatest Hits of Opera!, so we believe that "Martha, Act III: "Ach so fromm, ach so traut"" is a single. Martha, Act III: "Ach so fromm, ach so traut" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Martha, Act III: "Ach so fromm, ach so traut" by Friedrich von Flotow, Hanspeter Gmür, Jose Perez, Nurnberger Symphoniker is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Martha, Act II: Nancy! Lady! Was nun weiter? (Live) | Friedrich von Flotow, Maria Bengtsson, Katharina Magiera, Barnaby Rea, Bjorn Burger, Chor der Oper Frankfurt, Frankfurter Opern- und Museumsorchester, Sebastian Weigle | A♭ Major | 1 | 4B | 172 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
Martha, Act I: Der Markt beginnt (Live) | Friedrich von Flotow, Franz Mayer, Julia Heße, Svea Verfürth, Nicolai Klawa, Gerhard Singer, Michaela Schaudel, Chor der Oper Frankfurt, Frankfurter Opern- und Museumsorchester, Sebastian Weigle | D Minor | 2 | 7A | 67 BPM | ||
Ciganské melodie, Op. 55, B. 104 - Arr. by Jiri Teml: IV. Kdyz mne stara matka | Antonín Dvořák, Anna Netrebko, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 2 | 6A | 115 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants | F♯ Minor | 0 | 11A | 80 BPM | ||
Martha, Act II: "The Last Rose of Summer" | Friedrich von Flotow, Leontyne Price, Sir Edward Downes | F Major | 1 | 7B | 83 BPM | ||
Martha, Act IV: Lady! Mylady! Treuer Freund! (Live) | Friedrich von Flotow, Katharina Magiera, Bjorn Burger, Maria Bengtsson, Frankfurter Opern- und Museumsorchester, Sebastian Weigle | B Major | 0 | 1B | 134 BPM | ||
Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" | Nederica Stepan | D Major | 1 | 10B | 92 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM |
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