"Sonate d'intavolatura di leuto, Op. 1, Sonata II: Alemanda" by Giovanni Zamboni, Simone Vallerotonda was released on June 10, 2016. The duration of Sonate d'intavolatura di leuto, Op. 1, Sonata II: Alemanda is about 3 minutes long, at 3:29. Based on our data, "Sonate d'intavolatura di leuto, Op. 1, Sonata II: Alemanda" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Zamboni: L'ultimo romano. Sonate d'intavolatura di leuto, 1718 by Giovanni Zamboni, Simone Vallerotonda. The song's track number on the album is #15 out of 28 tracks. In terms of popularity, Sonate d'intavolatura di leuto, Op. 1, Sonata II: Alemanda is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonate d'intavolatura di leuto, Op. 1, Sonata II: Alemanda by Giovanni Zamboni, Simone Vallerotonda has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonate d'intavolatura di leuto, Op. 1, Sonata II: Alemanda being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suonata: Preludio | Giovanni Zamboni, Edin Karamazov | C Minor | 1 | 5A | 123 BPM | ||
Fantasia - Instrumental | Alonso Mudarra, Lutz Kirchhof | F Major | 2 | 7B | 119 BPM | ||
Lute Sonata No. 1: IV. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Major | 0 | 4B | 77 BPM | ||
Jouissance | Giovanni Antonio Terzi, Hille Perl | C Major | 0 | 8B | 96 BPM | ||
The First Part of Ayres, 1605: Love's Farewell | Tobias Hume, Sarah Cunningham | F♯ Major | 0 | 2B | 75 BPM | ||
Saltarello I & II | Giacomo Gorzanis, Marc Lewon | B♭ Major | 0 | 6B | 99 BPM | ||
Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
Mal un muta per effecto | Marchetto Cara, Shirley Rumsey | A Minor | 0 | 8A | 97 BPM | ||
Sonata in C Major (Weiss) - Andante | Edward Martin and Paul Berget | B Major | 1 | 1B | 86 BPM | ||
L'impromptu: Allemande | Francesca Torelli, Charles Mouton | A Minor | 1 | 8A | 129 BPM |
Section: 0.5480473041534424
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