Tobias Hume, Sarah Cunningham made "The First Part of Ayres, 1605: Love's Farewell" available on 1991. With The First Part of Ayres, 1605: Love's Farewell being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "Play This Passionate: Music for solo viola da gamba". In this album, this song's track order is #1. The First Part of Ayres, 1605: Love's Farewell is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The First Part of Ayres, 1605: Love's Farewell by Tobias Hume, Sarah Cunningham having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adue sweet love | Tobias Hume, Leif Henrikson | A♭ Major | 1 | 4B | 101 BPM | ||
Canario | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 96 BPM | ||
Violin Sonata No. 4 in G Major: IV. Aria | Élisabeth Jacquet de La Guerre, Dana Maiben, Sarah Cunningham, Lisa Goode Crawford | G Major | 2 | 9B | 80 BPM | ||
Sonata XI from Sonate o Partite in D minor, 1698: Corrente | August Kuhnel, Sarah Cunningham | B Major | 1 | 1B | 134 BPM | ||
Canarios | Antonio de Santa Cruz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 1 | 10B | 111 BPM | ||
Suite from Pièces de Viole, Ier Livre in D major: Sarabande | Marin Marais, Sarah Cunningham | D♭ Major | 0 | 3B | 132 BPM | ||
Meditation, No.78 Meditation | Tobias Hume, Stefano Zanobini | F♯ Minor | 0 | 11A | 73 BPM | ||
Violin Sonata No. 1 in D Minor: VII. Presto | Élisabeth Jacquet de La Guerre, Dana Maiben, Sarah Cunningham, Lisa Goode Crawford | G Major | 2 | 9B | 80 BPM | ||
Violin Sonata No. 5 in A Minor: II. Presto | Élisabeth Jacquet de La Guerre, Dana Maiben, Sarah Cunningham, Lisa Goode Crawford | G Major | 2 | 9B | 80 BPM | ||
Ghizeghem / Arr. Des Prez: De tous biens plaine (Instrumental) | Hayne van Ghizeghem, David Munrow, Early Music Consort Of London | D Minor | 0 | 7A | 156 BPM |
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