"Suite from Pièces de Viole, Ier Livre in D major: Sarabande" by Marin Marais, Sarah Cunningham was released on 1991. The duration of Suite from Pièces de Viole, Ier Livre in D major: Sarabande is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Suite from Pièces de Viole, Ier Livre in D major: Sarabande's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "Play This Passionate: Music for solo viola da gamba". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Suite from Pièces de Viole, Ier Livre in D major: Sarabande's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite from Pièces de Viole, Ier Livre in D major: Sarabande by Marin Marais, Sarah Cunningham having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantazia I in 3 Parts | Henry Purcell, Fretwork | D♭ Minor | 1 | 12A | 102 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Una musiqua | Antoine Boësset, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | G Major | 2 | 9B | 138 BPM | ||
Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio | Giuseppe Torelli, Berlin Baroque Compagney | E Major | 0 | 12B | 116 BPM | ||
4e livre de viole: Muzette | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | D♭ Minor | 5 | 12A | 95 BPM | ||
Serenata con violini (Sinfonia), Op. 8 | Barbara Strozzi, Ensemble Poïésis | A♭ Minor | 0 | 1A | 97 BPM | ||
No. 2: Concerto Secondo: II. Affettuoso | Georg Philipp Telemann, Gustav Leonhardt, Barthold Kuijken, Wieland Kuijken, Sigiswald Kuijken | F Major | 0 | 7B | 72 BPM | ||
Entrée de Luths | Robert Ballard, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 96 BPM | ||
Ave Maria a 6 voci | Francesco Usper, The Marian Consort, The Illyria Consort, Rory McCleery, Bojan Čičić | F♯ Major | 2 | 2B | 86 BPM |
Section: 0.7492401599884033
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