Oscar Straus, Budapest Strauss Symphony Orchestra made "Bulgaren-marsch" available on December 8, 1993. The duration of Bulgaren-marsch is about 3 minutes long, at 3:11. Based on our data, "Bulgaren-marsch" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Strauss, O.: His Most Popular Works". In this album, this song's track order is #7. Based on our statistics, Bulgaren-marsch's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bulgaren-marsch by Oscar Straus, Budapest Strauss Symphony Orchestra having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4. Fare thee well, attractive stranger | Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 78 BPM | ||
Finale Atto III | Carlo Lombardo, Oscar Straus, Cesare Gallino | D Major | 2 | 10B | 83 BPM | ||
Lestocq, ou l'intrigue et l'amour, S. 24 (Excerpts): Act II Entr'acte | Daniel Auber, Moravian Philharmonic Orchestra, Dario Salvi | C Minor | 3 | 5A | 110 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Couplets. "Eh quoi ! Monsieur, supposez-vous..." (Caroline, Alfred, Tourillon) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Michel Roux, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 1 | 9B | 80 BPM | ||
Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
Carmen Suite No. 1: Entr'acte (Act III) | Georges Bizet, Willem van Otterloo, Residentie Orkest | E♭ Major | 4 | 5B | 98 BPM | ||
Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | G Major | 1 | 9B | 60 BPM | ||
Straus: Ein Walzertraum, Act I: "Da draußen im duftigen Garten" - "Leise, ganz leise" | Oscar Straus, Lisa Otto, Manfred Schmidt, Brigitte Mira, Bruno Fritz, Melitta Muszely, Rudolf Schock, Wilhelm Schüchter, Berliner Symphoniker | G Major | 5 | 9B | 81 BPM | ||
Srdce v rákosí: "Hvězdy se líbají" | Jaroslav Jankovec, Dagmar Peckova, Zdeněk Matouš, Dvořák Chamber Orchestra, Miroslav Homolka | G Major | 1 | 9B | 66 BPM | ||
Les Hypermnésiques | Raphael Fimm | E Major | 2 | 12B | 115 BPM |
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