"Il viaggio a Reims: "Ah! perché la conobbi?" / "Invan strappar dal core"" by Gioachino Rossini, Samuel Ramey, Chamber Orchestra of Europe, Claudio Abbado, Wissam Boustany, Prague Philharmonic Chorus, Lubomir Matl was released on 1983. Il viaggio a Reims: "Ah! perché la conobbi?" / "Invan strappar dal core" appears to be safe for all ages as it is not explicit. There are a total of 41 in the song's album "Rossini: Il Viaggio A Reims". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Germany. In terms of popularity, Il viaggio a Reims: "Ah! perché la conobbi?" / "Invan strappar dal core" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il viaggio a Reims: "Ah! perché la conobbi?" / "Invan strappar dal core" by Gioachino Rossini, Samuel Ramey, Chamber Orchestra of Europe, Claudio Abbado, Wissam Boustany, Prague Philharmonic Chorus, Lubomir Matl having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | G Minor | 6 | 6A | 149 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Demetrio e Polibio: Act I Scene 3: Alla pompa gia m'appresso (Lisinga) | Gioachino Rossini, Dalmacio Gonzales, Giorgio Surjan, Christine Weidinger, Sara Mingardo, Anna Laura Longo, Martino Fullone, Bratislava Chamber Choir, Graz Symphony Orchestra, Massimiliano Carraro | D Major | 0 | 10B | 67 BPM | ||
Il Barbiere di Siviglia: Finora in questa camera - Ehi, di casa! | Gioachino Rossini, Cesare Sterbini, Hertha Glaz, Giuseppe Di Stefano, Salvatore Baccaloni, Lily Pons, Jerome Hines, Alberto Erede | F Major | 2 | 7B | 79 BPM | ||
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
L'Inganno Felice: IV. Aria | Gioachino Rossini, Natale de Carolis, Amelia Felle, Iorio Zennaro, Fabio Previato, Danilo Serraiocco, Maciej Rakowski, Ursula Duetschler, Marcello Viotti, English Chamber Orchestra | A Major | 2 | 11B | 103 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM |
Section: 0.7090380191802979
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