"Concerto Grosso II in D Minor, Op. 3: III. Affettuoso" by Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend was released on March 26, 2021. The duration of Concerto Grosso II in D Minor, Op. 3: III. Affettuoso is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Concerto Grosso II in D Minor, Op. 3: III. Affettuoso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 93 in Baroque Concerti from The Netherlands by Musica ad Rhenum, Jed Wentz. Based on our statistics, Concerto Grosso II in D Minor, Op. 3: III. Affettuoso's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto Grosso II in D Minor, Op. 3: III. Affettuoso by Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Aria Variata Alla maniera italiana in A Minor, BWV 989: No. 5, Variation IV. Allegro - Arr. for Baroque Ensemble in G Minor | Johann Sebastian Bach, Concerto Italiano, Rinaldo Alessandrini | F♯ Major | 0 | 2B | 80 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Flute Sonata in E Minor: II. Siliciano | Wilhelm Friedemann Bach, Markus Bronnimann, Jean Halsdorf, Léon Berben | G Major | 0 | 9B | 99 BPM | ||
Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo | Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 81 BPM | ||
Ouverture-Suite for Strings & Continuo in G Major, TWV 55: G5: V. Air Angloise | Georg Philipp Telemann, La Serenissima, Adrian Chandler | C Major | 1 | 8B | 92 BPM | ||
The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Anima Musicæ Chamber Orchestra | F Minor | 1 | 4A | 171 BPM | ||
Neubrandenburg Concerto No. 3: I. Allegro (Transcr. By Harer, after Bach's Sonata for Viola da Gamba and Harpsichord, BWV 1029) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 2 | 11A | 168 BPM | ||
Hexachordum Apollinis: No. 4 in G Minor, Aria & 6 Variations, P. 196 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |
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