"Unaccompanied Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande" by Johann Sebastian Bach, Yo-Yo Ma was released on August 17, 2018. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 36 in the song's album "Six Evolutions - Bach: Cello Suites". In this album, this song's track order is #16. Based on our statistics, Unaccompanied Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Unaccompanied Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande by Johann Sebastian Bach, Yo-Yo Ma having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Cello Concerto in A Major, Wq.172: II. Largo maestoso | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | D Minor | 0 | 7A | 116 BPM | ||
Duport : Cello Concerto No.1 in G major : Romance | Jean-Louis Duport, Frédéric Lodéon, Jean-Pierre Wallez, Orchestre de chambre de Paris | C Major | 1 | 8B | 95 BPM | ||
Le Rossignol-en-Amour: 14ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | A Major | 0 | 11B | 65 BPM | ||
Haydn, Michael / Arr Stoll : Polonaise in C major | Michael Haydn, Jörg Baumann | C Major | 0 | 8B | 107 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Sonata in D Major: II. Andante | Johann Gottlieb Goldberg, Lang Lang | F Major | 1 | 7B | 102 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Concerto grosso No. 7 in D Major, Op. 6: III. Andante largo | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | B♭ Minor | 1 | 3A | 144 BPM | ||
Piano Trio No. 2 in E Minor, Op. 67: I. Andante - Moderato | Dmitri Shostakovich, Emanuel Ax, Isaac Stern, Yo-Yo Ma | C Major | 0 | 8B | 87 BPM |
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