Strauss, R: Aus Italien, Op. 16: IV. Neapolitanisches Volksleben
Richard Strauss, Rudolf Kempe, Staatskapelle Dresden
Strauss, Richard: Complete Orchestral Works
8:56 2013
BPM
100
Key
G Minor
Camelot
6A

Embed

Share Link

Strauss, R: Aus Italien, Op. 16: IV. Neapolitanisches Volksleben - Richard Strauss, Rudolf Kempe, Staatskapelle Dresden Information

Acousticness
90%
Danceability
34%
Energy
26%
Instrumentalness
16%
Liveness
47%
Loudness
79%
Speechiness
4%
Valence
42%
Popularity
Loudness
-12.472 dB

Summary

Richard Strauss, Rudolf Kempe, Staatskapelle Dresden made "Strauss, R: Aus Italien, Op. 16: IV. Neapolitanisches Volksleben" available on 2013. Since Strauss, R: Aus Italien, Op. 16: IV. Neapolitanisches Volksleben is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 103 in the song's album "Strauss, Richard: Complete Orchestral Works". In this album, this song's track order is #67. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Strauss, R: Aus Italien, Op. 16: IV. Neapolitanisches Volksleben is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Strauss, R: Aus Italien, Op. 16: IV. Neapolitanisches Volksleben BPM

With Strauss, R: Aus Italien, Op. 16: IV. Neapolitanisches Volksleben by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Strauss, R: Aus Italien, Op. 16: IV. Neapolitanisches Volksleben Key

This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Choral-Vatiationen: Var. I. In canone all'Ottava by Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentChoral-Vatiationen: Var. I. In canone all'OttavaIgor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentC Major18B93 BPM
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) by Jules Massenet, The New Symphony Orchestra Of London, Raymond AgoultLa Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin)Jules Massenet, The New Symphony Orchestra Of London, Raymond AgoultG Major19B82 BPM
Die Agyptische Helena, Op. 75, TrV 255, Act II: Zweite Brautnacht! Zaubernacht by Richard Strauss, Alessandra Marc, Dallas Symphony Chorus, Dallas Symphony Orchestra, Andrew LittonDie Agyptische Helena, Op. 75, TrV 255, Act II: Zweite Brautnacht! ZaubernachtRichard Strauss, Alessandra Marc, Dallas Symphony Chorus, Dallas Symphony Orchestra, Andrew LittonD Major010B81 BPM
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered by Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony OrchestraPiano Concerto in A Minor, Op. 16: II. Adagio - RemasteredEdvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony OrchestraD♭ Major03B86 BPM
Le roi s'amuse: Final by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: FinalLéo Delibes, Slovak Philharmonic, Ondrej LenardA Minor18A94 BPM
Carmen Suite No. 1: 4. Les dragons d'Alcala by Georges Bizet, Orchestre de Paris, Semyon BychkovCarmen Suite No. 1: 4. Les dragons d'AlcalaGeorges Bizet, Orchestre de Paris, Semyon BychkovG Major09B117 BPM
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio by Gabriel Fauré, Boston Symphony Orchestra, Seiji OzawaPelléas et Mélisande, Op. 80: 1. Prélude. Quasi AdagioGabriel Fauré, Boston Symphony Orchestra, Seiji OzawaF Major27B98 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico by Max Bruch, Itzhak Perlman, Bernard Haitink, ConcertgebouworkestViolin Concerto No. 1 in G Minor, Op. 26: III. Allegro energicoMax Bruch, Itzhak Perlman, Bernard Haitink, ConcertgebouworkestG Major39B97 BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: IV. AdagioArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonD Major110B82 BPM
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor by Sergei Rachmaninoff, Sviatoslav Richter10 Preludes, Op. 23: No. 5 Alla marcia in G MinorSergei Rachmaninoff, Sviatoslav RichterE♭ Major05B70 BPM
ISRC
GBAYC1201735
Label
L-M Records/RCA Records

Section: 0.7306027412414551

End: 0.7337210178375244