George Frideric Handel, Luba Orgonasova, Academy of Ancient Music, Christopher Hogwood's 'Rinaldo / Act 1: Aria: Furie terribili' came out on October 16, 2000. With Rinaldo / Act 1: Aria: Furie terribili being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 15 out of 82. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Rinaldo / Act 1: Aria: Furie terribili's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rinaldo / Act 1: Aria: Furie terribili by George Frideric Handel, Luba Orgonasova, Academy of Ancient Music, Christopher Hogwood to be Vivace (lively and fast) because the track has a tempo of 159 BPM, a half-time of 80BPM, and a double-time of 318 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcina, HWV 34 / Act 2: Ah! mio cor! schemito sei! | George Frideric Handel, Joyce DiDonato, Il Complesso Barocco, Alan Curtis | B Minor | 1 | 10A | 74 BPM | ||
Marc'Antonio e Cleopatra: Morte col fiero aspetto (Aria) | Johann Adolf Hasse, Regula Mühlemann | F♯ Minor | 3 | 11A | 120 BPM | ||
Armide Opera In 5 Acts With Prologue: Que l'éclat de son nom | Jean-Baptiste Lully, Céline Scheen, Goedele Heidbüchel, Musica Antiqua Köln, Reinhard Goebel, Ex Tempore | B Major | 3 | 1B | 180 BPM | ||
Dido and Aeneas / Act 2: Echo dance of the Furies | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 119 BPM | ||
"If Music Be The Food Of Love", Z.379 | Henry Purcell, Emma Kirkby, Richard Campbell, Christopher Hogwood | F Major | 1 | 7B | 84 BPM | ||
Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 3 | 11A | 71 BPM | ||
Purcell : King Arthur : Act 3 "No part of my dominion" [Soprano] | William Christie | B♭ Major | 0 | 6B | 168 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 80 BPM | ||
Alcina, HWV 34, Act I: La cerco invano | George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski, Anna Bonitatibus, Valerio Contaldo | B Minor | 2 | 10A | 166 BPM |
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