George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski, Anna Bonitatibus, Valerio Contaldo's 'Alcina, HWV 34, Act I: La cerco invano' came out on February 2, 2024. With Alcina, HWV 34, Act I: La cerco invano being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski, Magdalena Kozená, Erin Morley, Anna Bonitatibus, Alois Mühlbacher, Elizabeth DeShong, Valerio Contaldo's "Handel: Alcina" album is number 21 out of 86. On top of that, Netherlands appears to be the country where this track was created. The popularity of Alcina, HWV 34, Act I: La cerco invano is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Alcina, HWV 34, Act I: La cerco invano by George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski, Anna Bonitatibus, Valerio Contaldo to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide, LWV 71, Prologue: Ouverture (II) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Minor | 1 | 4A | 111 BPM | ||
Adriano in Siria, Act III: Act III Scene 2: Recitative: Io la trama (Idalma) | Francesco Maria Veracini, Lucia Cirillo, Europa Galante, Fabio Biondi | B Major | 2 | 1B | 88 BPM | ||
Caccini: Così, perfida Alcina | Francesca Caccini, Christina Pluhar, L'Arpeggiata, Luciana Mancini | F Major | 2 | 7B | 88 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Trionfi Amore!" (Orfeo, Amore, Euridice, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Fatma Said, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Platée, Prologue Scène 2: Air "Aux seuls humains bornez vous la satire ?" (Momus) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Marc Mauillon | B♭ Major | 2 | 6B | 63 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Sonata in G Major for Two Flutes and Basso Continuo, RV 80: II. Larghetto | Antonio Vivaldi, ConSerto Musico, Mario Folena, Roberto Loreggian, Stefania Marusi | E♭ Minor | 0 | 2A | 114 BPM | ||
L'Olimpiade, Act I Scene 3: Aria. "O care selve" | Domenico Cimarosa, Marie Lys, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
La flora: Trombe d'Ausonia | Marc'Antonio Ziani, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM |
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