Giuseppe Verdi, Mario Lanza, Constantine Callinicos, RCA Victor Orchestra's 'Rigoletto, Act IV: La Donna è Mobile' came out on November 22, 2019. The duration of Rigoletto, Act IV: La Donna è Mobile is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Rigoletto, Act IV: La Donna è Mobile's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mario Lanza, RCA Victor Orchestra's "Mario Lanza Sings Italian Opera" album is number 4 out of 19. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Rigoletto, Act IV: La Donna è Mobile's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rigoletto, Act IV: La Donna è Mobile by Giuseppe Verdi, Mario Lanza, Constantine Callinicos, RCA Victor Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Some Day | Rudolf Friml, Mario Lanza, Ray Sinatra | B Minor | 3 | 10A | 93 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
La forza del destino, Act I: Me pellegrina ed orfana | Giuseppe Verdi, Dinara Alieva, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Major | 3 | 8B | 108 BPM | ||
Ferne von ihr - Ach, ihres Auges Zauberblick / Lunge da lei - De' miei bollenti spiriti - La Traviata, Alfredo, 2. Akt;1988 Remastered Version | Francesco Maria Piave, Giuseppe Verdi, Josef Traxel | E♭ Major | 2 | 5B | 76 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 1 | 4B | 75 BPM | ||
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM |
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