Johann Sebastian Bach, Elizabeth Wallfisch/Lisa Beznosiuk/Malcolm Proud/Orchestra of the Age of Enlightenment, Elizabeth Wallfisch, Orchestra of the Age of Enlightenment made "Bach, J.S.: Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro" available on 1989. Since Bach, J.S.: Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 18 in Brandenburg Concertos by Johann Sebastian Bach, Orchestra of the Age of Enlightenment/Monica Huggett/Elizabeth Wallfisch/Catherine Mackintosh/Alison Bury, Orchestra of the Age of Enlightenment. In terms of popularity, Bach, J.S.: Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bach, J.S.: Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro by Johann Sebastian Bach, Elizabeth Wallfisch/Lisa Beznosiuk/Malcolm Proud/Orchestra of the Age of Enlightenment, Elizabeth Wallfisch, Orchestra of the Age of Enlightenment is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor for Two Violins, BWV 1043: Largo ma non tanto | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | D Major | 1 | 10B | 153 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 39b, Chorale: Dir, dir Jehova, will ich singen, BWV 299 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto, Hiroya Aoki, Shimon Yoshida, Dominik Worner | E♭ Minor | 2 | 2A | 74 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Keyboard Sonatina in C Major, Op. 36, No. 1: I. Allegro | Muzio Clementi, Chun-Young June | G Major | 2 | 9B | 100 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E Major | 2 | 12B | 161 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Der Herr ist König, TWV 8:6: II. No. 5, Chorus: Die Töchter Zion sind fröhlich | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM |
Section: 0.6871085166931152
End: 0.6921625137329102