"Hänsel und Gretel: Act III - "Knusper, knusper Knäuschen"" by Engelbert Humperdinck, Staatskapelle Dresden, Otmar Suitner, Dresdner Kreuzchor was released on January 1, 1971. The duration of Hänsel und Gretel: Act III - "Knusper, knusper Knäuschen" is about 3 minutes long, at 3:01. Based on our data, "Hänsel und Gretel: Act III - "Knusper, knusper Knäuschen"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Engelbert Humperdinck, Staatskapelle Dresden, Otmar Suitner, Dresdner Kreuzchor, Peter Schreier, Theo Adam's "Humperdinck: Hänsel und Gretel" album is number 7 out of 34. On top of that, Germany appears to be the country where this track was created. Hänsel und Gretel: Act III - "Knusper, knusper Knäuschen" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hänsel und Gretel: Act III - "Knusper, knusper Knäuschen" by Engelbert Humperdinck, Staatskapelle Dresden, Otmar Suitner, Dresdner Kreuzchor to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | G Major | 1 | 9B | 73 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Bach, JS / Arr. Paillard: Erbarm dich mein, o Herre Gott, BWV 721 | Johann Sebastian Bach, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | B Minor | 0 | 10A | 75 BPM | ||
Symphony No. 3 in D Minor, Part II: IV. Sehr langsam - Misterioso | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 82 BPM | ||
Symphony No. 4 in E-Flat Major, "Sinfonie naive": II. Adagio — | Franz Berwald, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 0 | 10B | 80 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 15, The Knight's Gate in the Old Capital of Kiev | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 2 | 5B | 85 BPM | ||
Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
6 Orchestral Songs, EG 177: No. 2, Solveig's Cradle Song | Edvard Grieg, Inger Dam-Jensen, Palle Knudsen, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 1 | 10B | 67 BPM | ||
Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden" | Gustav Mahler, Juliane Banse, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 110 BPM |
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