"Götterdämmerung, Prelude: IV. "Zu neuen Taten, teurer Helde "(Brünnhilde)" by Wilhelm Furtwängler was released on May 31, 2000. Götterdämmerung, Prelude: IV. "Zu neuen Taten, teurer Helde "(Brünnhilde) appears to be safe for all ages as it is not explicit. This song is part of Wagner: Götterdämmerung by Wilhelm Furtwängler. The song's track number on the album is #4 out of 35 tracks. Götterdämmerung, Prelude: IV. "Zu neuen Taten, teurer Helde "(Brünnhilde) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Götterdämmerung, Prelude: IV. "Zu neuen Taten, teurer Helde "(Brünnhilde) by Wilhelm Furtwängler has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Götterdämmerung, Prelude: IV. "Zu neuen Taten, teurer Helde "(Brünnhilde) being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 14, Op. 135: II. Malagueña | Dmitri Shostakovich, Asmik Grigorian, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 2 | 8B | 101 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Philharmonie Südwestfalen, Nabil Shehata | E Minor | 1 | 9A | 134 BPM | ||
Serenade For Strings, Op.11 | Dag Wirén, Johannes Somary, English Chamber Orchestra | C Major | 1 | 8B | 126 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: 1. Allegro - Live | Paul Hindemith, Berliner Philharmoniker, Wilhelm Furtwängler | A Minor | 4 | 8A | 100 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Sinfonia concertante in D Major: Symphony in D Major | Gaetano Donizetti, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 71 BPM | ||
Piano Concerto No. 1 in D Minor: III. Allegro con brio | Marie Jaëll, Célia Oneto Bensaid, Debora Waldman, Orchestre National Avignon-Provence | F Major | 2 | 7B | 105 BPM | ||
25 Études faciles et progressives, Op. 100: No. 12, Adieu | Franz Burgmüller, The Gerst Ensemble | A Minor | 0 | 8A | 72 BPM | ||
Wagner: Das Rheingold, Scene 2: "Nur einen sah 'ich" (Loge, Wotan) | Richard Wagner, Wilhelm Furtwängler, Ferdinand Frantz, Wolfgang Windgassen, Orchestra Sinfonica di Roma della RAI | E Minor | 1 | 9A | 73 BPM |
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