"Saint-Saëns: Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": I. (b) Poco adagio" by Camille Saint-Saëns, Zubin Mehta, Daniel Chorzempa, Berliner Philharmoniker was released on January 1, 1996. Since Saint-Saëns: Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": I. (b) Poco adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 7 in Franck: Symphony - Saint-Saëns: Symphony No. 3 with Organ by Zubin Mehta, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Saint-Saëns: Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": I. (b) Poco adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saint-Saëns: Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": I. (b) Poco adagio by Camille Saint-Saëns, Zubin Mehta, Daniel Chorzempa, Berliner Philharmoniker is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Yo-Yo Ma, André Previn, London Symphony Orchestra | C Minor | 1 | 5A | 109 BPM | ||
Symphony No. 6 in A Major, WAB 106: IV. Finale. Bewegt, doch nicht zu schnell – Bedeutend langsamer – Tempo primo | Anton Bruckner, Berliner Philharmoniker, Mariss Jansons | A Major | 1 | 11B | 136 BPM | ||
Romeo and Juliet, Op. 64 / Act 2: 25. Dance with Mandolins | Sergei Prokofiev, Berliner Philharmoniker, Claudio Abbado | E♭ Major | 1 | 5B | 108 BPM | ||
Dolly, Op. 56: 5. Tendresse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Symphony No. 5 In B-Flat, Op. 100: 1. Andante | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 93 BPM | ||
Symphony No.2 In D, Op.73: 4. Allegro con spirito | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 102 BPM | ||
Symphony No. 3 in C minor 'Organ' Op. 78 (1989 Digital Remaster): II. Allegro moderato - | Camille Saint-Saëns, Christopher Robinson/City of Birmingham Symphony Orchestra/Louis Frémaux, Louis Frémaux, City Of Birmingham Symphony Orchestra | A♭ Major | 2 | 4B | 84 BPM | ||
Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 96 BPM |
Section: 1.1358718872070312
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