Wolfgang Amadeus Mozart, Walther Ludwig, Wiener Philharmoniker, Josef Krips's 'Die Entführung aus dem Serail, K. 384, Act I: Hier soll ich dich denn sehen - Remastered 2024' came out on April 26, 2024. The duration of Die Entführung aus dem Serail, K. 384, Act I: Hier soll ich dich denn sehen - Remastered 2024 is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Die Entführung aus dem Serail, K. 384, Act I: Hier soll ich dich denn sehen - Remastered 2024's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Wiener Philharmoniker, Josef Krips's "Mozart: Die Entführung aus dem Serail; Turkish March; Opera Arias (Remastered 2024)" album is number 2 out of 32. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Die Entführung aus dem Serail, K. 384, Act I: Hier soll ich dich denn sehen - Remastered 2024 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Entführung aus dem Serail, K. 384, Act I: Hier soll ich dich denn sehen - Remastered 2024 by Wolfgang Amadeus Mozart, Walther Ludwig, Wiener Philharmoniker, Josef Krips to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Radetzky-Marsch, Op. 228 | Johann Strauss I, Zubin Mehta, Wiener Philharmoniker | D Major | 5 | 10B | 98 BPM | ||
Don Giovanni / Act 1: "Giovinette, che fate all'amore" | Wolfgang Amadeus Mozart, Hilde Gueden, Walter Berry, Vienna State Opera Chorus, Wiener Philharmoniker, Josef Krips | G Major | 4 | 9B | 95 BPM | ||
Bach, JS: Markus-Passion, BWV 247: No. 36d, Aria. "Zerschmettert mich" | Johann Sebastian Bach, Ton Koopman, Paul Agnew, Amsterdam Baroque Orchestra | F♯ Major | 1 | 2B | 119 BPM | ||
Requiem in D Minor, K. 626 (Completed by H. Arman & F.X. Süssmayr): I. Introitus. Requiem aeternam [Live] | Wolfgang Amadeus Mozart, Christina Landshamer, Bavarian Radio Chorus, Alte Akademie für Alte Musik Berlin, Howard Arman | D♭ Major | 3 | 3B | 112 BPM | ||
Così fan tutte, K. 588: Act 1: Duetto "Ah Guarda, Sorella" | Wolfgang Amadeus Mozart, Concerto Köln, Bernarda Fink, Véronique Gens, René Jacobs | A Major | 1 | 11B | 68 BPM | ||
Für die ganze Welt, Walzer | Joseph Hellmesberger, Jr., Christian Thielemann, Wiener Philharmoniker | D Major | 4 | 10B | 85 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Et tu prétends encore | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Franco Bonisolli, Walton Groenroos | C Minor | 3 | 5A | 84 BPM | ||
Delirien, Walzer, Op. 212 | Josef Strauss, Mariss Jansons, Wiener Philharmoniker | C Major | 2 | 8B | 97 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Ach Belmonte! Ach, mein Leben! - Remastered 2024 | Wolfgang Amadeus Mozart, Wilma Lipp, Walther Ludwig, Peter Klein, Emmy Loose, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar) | Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 89 BPM |
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