- BPM
- 60
- Key
- D♭ Major
- Camelot
- 3B
Verdi: Aida, Act 3: "Ciel! mio padre!" (Aida, Amonasro) - Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra Information
- Acousticness
- 99%
- Danceability
- 41%
- Energy
- 21%
- Instrumentalness
- 0%
- Liveness
- 36%
- Loudness
- 76%
- Speechiness
- 8%
- Valence
- 20%
- Popularity
- 16%
- Loudness
- -14.389 dB
Summary
Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra's 'Verdi: Aida, Act 3: "Ciel! mio padre!" (Aida, Amonasro)' came out on 1974. The duration of Verdi: Aida, Act 3: "Ciel! mio padre!" (Aida, Amonasro) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Verdi: Aida, Act 3: "Ciel! mio padre!" (Aida, Amonasro)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Aida by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #5 out of 55 tracks. Verdi: Aida, Act 3: "Ciel! mio padre!" (Aida, Amonasro) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Verdi: Aida, Act 3: "Ciel! mio padre!" (Aida, Amonasro) BPM
Since Verdi: Aida, Act 3: "Ciel! mio padre!" (Aida, Amonasro) by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra has a tempo of 60 beats per a minute, the tempo markings of this song would be Lento (slowly). With Verdi: Aida, Act 3: "Ciel! mio padre!" (Aida, Amonasro) being at 60 BPM, the half-time would be 30 BPM with a double-time of 120 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Verdi: Aida, Act 3: "Ciel! mio padre!" (Aida, Amonasro) Key
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Verdi: La traviata, Act 2: "Noi siamo zingarelle" (Chorus, Flora, Marquis, Doctor) | Giuseppe Verdi, Coro Cetra, Ede Marietti Gandolfo, Gabriele Santini, Mario Zorgniotti, Orchestra Sinfonica della RAI | E Major | 2 | 12B | 120 BPM | |
 | Rossini: Il barbiere di Siviglia, Act 2: Sestetto. "Fredda ed immobile" (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | D Major | 1 | 10B | 80 BPM | |
 | Pagliacci / Act 1: "I zampognari!" | Ruggero Leoncavallo, Westminster Symphonic Choir, Philadelphia Boys Choir, Luciano Pavarotti, Philadelphia Orchestra, Riccardo Muti | C Major | 0 | 8B | 115 BPM | |
| Pagliacci / Act 1: "Stridono lassù" | Ruggero Leoncavallo, Daniela Dessi, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 1 | 2B | 81 BPM | |
 | Mefistofele / Epilogue: "Ogni mortal mister..Giunto sul passo estremo" | Arrigo Boito, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 86 BPM | |
 | Don Pasquale, Act III Seconda Scena: Qualche nota di cuffie (Pasquale) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | B♭ Major | 1 | 6B | 81 BPM | |
 | William Tell / Act 1: "E il ciel seren, sereno il giorno" | Gioachino Rossini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | G Major | 1 | 9B | 76 BPM | |
 | I Puritani / Act 2: O rendetemi la speme | Vincenzo Bellini, Dame Joan Sutherland, Nicolai Ghiaurov, Piero Cappuccilli, London Symphony Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 96 BPM | |
 | Mozart: Don Giovanni, K. 527, Act 2 Scene 10: No. 21b, Recitativo accompagnato, "In quali eccessi, o numi" (Donna Elvira) | Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker | C Minor | 0 | 5A | 76 BPM | |
| Mozart: Don Giovanni, K. 527, Act 1: "Dalla sua pace" (Don Ottavio) | Wolfgang Amadeus Mozart, Riccardo Muti, Frank Lopardo, Wiener Philharmoniker | G Major | 0 | 9B | 76 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6267037391662598
End: 0.6315085887908936