- BPM
- 166
- Key
- F♯ Minor
- Camelot
- 11A
Four Songs, Op. 2: Oriental Romance - Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister Information
- Acousticness
- 99%
- Danceability
- 21%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 12%
- Loudness
- -18.827 dB
Summary
"Four Songs, Op. 2: Oriental Romance" by Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister was released on February 3, 2017. The duration of Four Songs, Op. 2: Oriental Romance is about 3 minutes long, at 3:01. Based on our data, "Four Songs, Op. 2: Oriental Romance" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 15 in Aida by Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Four Songs, Op. 2: Oriental Romance is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Four Songs, Op. 2: Oriental Romance BPM
The tempo marking of Four Songs, Op. 2: Oriental Romance by Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
Four Songs, Op. 2: Oriental Romance Key
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Hahn: 20 Mélodies: No. 20 À Chloris | Philippe Jaroussky | D Major | 0 | 10B | 70 BPM | |
 | Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | |
 | Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | |
 | Otello / Act IV: Ave Maria, piena di grazia | Giuseppe Verdi, Cheryl Studer, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Minor | 0 | 9A | 81 BPM | |
 | The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" | Nikolai Rimsky-Korsakov, Sofiya Jankovich, Miro Changalovich, Bireska Tzveych, Belgrade National Opera Orchestra, Kreshimir Baranovich | B Minor | 1 | 10A | 81 BPM | |
 | Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM | |
 | La Bohème (1991 Digital Remaster), Act I: Sì. Mi chiamano Mimì (Mimì/Rodolfo) | Giacomo Puccini, Nicolai Gedda, Thomas Schippers, Orchestra Del Teatro Dell'Opera Di Roma | D Major | 1 | 10B | 181 BPM | |
 | No. 14, Vocalise | Sergei Rachmaninoff, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | C Minor | 1 | 5A | 86 BPM | |
 | Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part Two: Aria: "Lasci la spina" (Piacere) | George Frideric Handel, Emmanuelle Haïm, Le Concert d'Astrée | E Major | 0 | 12B | 94 BPM | |
 | Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM |
- ISRC
- GBF071602660
- Label
- L-M Records/RCA Records
Section: 0.7141604423522949
End: 0.7178685665130615