"Andante cantabile for cello and strings Op. 11" by Han-Na Chang, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on March 5, 2007. Since Andante cantabile for cello and strings Op. 11 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Romance". In this album, this song's track order is #4. Andante cantabile for cello and strings Op. 11 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Andante cantabile for cello and strings Op. 11 by Han-Na Chang, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pini di Roma (The Pines of Rome): II. Pini presso una catacomba | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 109 BPM | ||
Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 1 | 7B | 77 BPM | ||
Lalo: Symphonie espagnole, Op. 21: V. Rondo (Allegro) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | A Major | 1 | 11B | 82 BPM | ||
Fra Holbergs tid (From Holberg's Time), Op. 40 (version for orchestra): IV. Air | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 0 | 10B | 74 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto | Franz Joseph Haydn, Gautier Capuçon, Mahler Chamber Orchestra, Daniel Harding | C Major | 3 | 8B | 148 BPM | ||
Theme from "Schindler's List" | John Williams, Maxim Vengerov, Ian Brown | D Minor | 1 | 7A | 97 BPM | ||
Rondo in G Minor, Op. 94 | Antonín Dvořák, Jan Vogler, Helmut Branny | G Minor | 1 | 6A | 102 BPM | ||
Piano Quartet in E Flat Major, Op.47: Piano Quartet in E Flat Major, Op.47: III. Andante cantabile | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | B♭ Major | 0 | 6B | 74 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | C Major | 4 | 8B | 182 BPM | ||
Respighi: Feste romane, P. 157: I. Circenses | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 3 | 4B | 76 BPM |
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