Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine made "Carmen Fantasy, Op. 25: IV. Moderato" available on January 1, 1993. The duration of Carmen Fantasy, Op. 25: IV. Moderato is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Carmen Fantasy, Op. 25: IV. Moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 17 in Anne-Sophie Mutter - Carmen-Fantasie by Anne-Sophie Mutter, Pablo de Sarasate, Wiener Philharmoniker, Henryk Wieniawski, James Levine, Giuseppe Tartini, Maurice Ravel, Jules Massenet, Gabriel Fauré. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Carmen Fantasy, Op. 25: IV. Moderato is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Carmen Fantasy, Op. 25: IV. Moderato by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine is Presto (very, very fast), since this song has a tempo of 182 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso | Antonín Dvořák, Anne-Sophie Mutter, Ayami Ikeba | G Major | 2 | 9B | 86 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Chicken's Legs | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | G Major | 2 | 9B | 166 BPM | ||
Suite for Cello and Orchestra, Op. 16: V. Tarantelle (presto non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 3 | 10B | 94 BPM | ||
Zigeunerweisen (Aires Gitanos), Op. 20 | Pablo de Sarasate, Julia Fischer, Milana Chernyavska | G Minor | 1 | 6A | 83 BPM | ||
Glinka: Valse-Fantasie | Mikhail Glinka, Orchestre Philharmonique de Radio France, Paavo Järvi | B Minor | 0 | 10A | 103 BPM | ||
Serenade for Strings in E, Op.22: 3. Scherzo (Vivace) | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | F Major | 2 | 7B | 128 BPM | ||
Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Piano Quintet In A Major, Op. 114, D 667 - "The Trout": 5. Finale (Allegro giusto) | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee, Maximilian Hornung, Roman Patkoló | D Major | 1 | 10B | 81 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM |
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