"8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso" by Antonín Dvořák, Anne-Sophie Mutter, Ayami Ikeba was released on January 1, 2013. The duration of 8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso is about 3 minutes long, at 3:12. Based on our data, "8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 6 in Dvořák by Antonín Dvořák, Anne-Sophie Mutter, Berliner Philharmoniker, Manfred Honeck. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso by Antonín Dvořák, Anne-Sophie Mutter, Ayami Ikeba is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto, No. 1 in G-Minor, op. 26: I. Prelude: Allegro moderato | Philharmonia Slavonica, Alberto Lizzio, Helena Spitkova | C Minor | 1 | 5A | 107 BPM | ||
Wiegenlied, Op.49, No.4 | Johannes Brahms, Mischa Maisky, Pavel Gililov | F Major | 0 | 7B | 82 BPM | ||
Polonaise brillante No. 1 in D Major, Op. 4 | Henryk Wieniawski, James Ehnes, Eduard Laurel | D Major | 2 | 10B | 99 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Sonata For Violin And Piano No.2 In A, Op.100: 3. Allegretto grazioso (Quasi andante) | Johannes Brahms, Anne-Sophie Mutter, Lambert Orkis | A Major | 2 | 11B | 92 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): V. Intermezzo | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | D Minor | 0 | 7A | 110 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Kyung Wha Chung, Phillip Moll | E Major | 1 | 12B | 175 BPM | ||
Humoresques, Op. 101, B. 187: VII. Poco lento e grazioso | Antonín Dvořák, Tiffany Poon | B♭ Major | 0 | 6B | 66 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, George Szell, Cleveland Orchestra | E Minor | 1 | 9A | 111 BPM |
Section: 0.6657147407531738
End: 0.6690030097961426