"Requiem in D Minor, K. 626: Sequence No. 5: Confutatis" by Wolfgang Amadeus Mozart, Max Emanuel Cenčić, Derek Lee Ragin, Michael Knapp, Gotthold Schwarz, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik was released on January 1, 1995. The duration of Requiem in D Minor, K. 626: Sequence No. 5: Confutatis is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Requiem in D Minor, K. 626: Sequence No. 5: Confutatis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Peter Marschik's "Mozart, W.A.: Requiem / Ave Verum Corpus / Bruckner, A.: Ave Maria / Locus Iste / Christus Factus Est" album is number 7 out of 18. On top of that, United States appears to be the country where this track was created. Requiem in D Minor, K. 626: Sequence No. 5: Confutatis is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D Minor, K. 626: Sequence No. 5: Confutatis by Wolfgang Amadeus Mozart, Max Emanuel Cenčić, Derek Lee Ragin, Michael Knapp, Gotthold Schwarz, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Offertorium | Gabriel Fauré, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Orchestre De La Cite, Oxford Camerata, Slovak Philharmonic | D Major | 0 | 10B | 72 BPM | ||
Vinci: Artaserse, Act 2: "Amalo e se al tuo aguardo" (Artabano) | Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln | D♭ Major | 4 | 3B | 115 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Vinci: Artaserse, Act 1: "Su le sponde del torbido lete" (Artabano) | Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln | F♯ Major | 1 | 2B | 81 BPM | ||
Virga Jesse, WAB 52 - Live | Anton Bruckner, Vienna Boys' Choir, Chorus Viennensis, Gerald Wirth | C Major | 2 | 8B | 80 BPM | ||
The Magic Flute, K. 620: Dies Bildnis ist bezaubernd schön | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 79 BPM | ||
Stabat Mater, Op.58, B.71: 3. "Eia mater, fons amoris" | Antonín Dvořák, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Minor | 1 | 5A | 131 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Matthias Goerne, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | D Major | 0 | 10B | 83 BPM | ||
Requiem in D Minor, K. 626: Sequence No. 3: Rex tremendae | Wolfgang Amadeus Mozart, Max Emanuel Cenčić, Derek Lee Ragin, Michael Knapp, Gotthold Schwarz, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik | D Minor | 0 | 7A | 86 BPM | ||
Tannhäuser, WWV 70 - Paris version / Act 1: "Frau Holda kam aus dem Berg hervor" | Richard Wagner, Vienna Boys' Choir, Wiener Philharmoniker, Sir Georg Solti | G Major | 0 | 9B | 106 BPM |
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