- BPM
- 112
- Key
- F Minor
- Camelot
- 4A
The Messiah: Part. II, Chorus (Surely he has borne our griefs - Lithuanian Chamber Orchestra Information
- Acousticness
- 96%
- Danceability
- 21%
- Energy
- 13%
- Instrumentalness
- 90%
- Liveness
- 13%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -19.697 dB
Summary
"The Messiah: Part. II, Chorus (Surely he has borne our griefs" by Lithuanian Chamber Orchestra was released on November 28, 2008. The duration of The Messiah: Part. II, Chorus (Surely he has borne our griefs is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. The Messiah: Part. II, Chorus (Surely he has borne our griefs's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "The Messiah". In this album, this song's track order is #23. In terms of popularity, The Messiah: Part. II, Chorus (Surely he has borne our griefs is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Messiah: Part. II, Chorus (Surely he has borne our griefs BPM
With The Messiah: Part. II, Chorus (Surely he has borne our griefs by Lithuanian Chamber Orchestra having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
The Messiah: Part. II, Chorus (Surely he has borne our griefs Key
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 3 in G Minor, Op. 36: II. Adagio cantabile | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | E♭ Major | 0 | 5B | 85 BPM | |
 | Concerto for Violin and Strings in E, Op. 8, No. 1, RV 269 "La Primavera": 1. Allegro | Antonio Vivaldi, Sergej Krylov, Lithuanian Chamber Orchestra | F Major | 4 | 7B | 134 BPM | |
 | Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | |
 | Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | |
 | Violin Concerto In D, Op.77: 2. Adagio | Johannes Brahms, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 114 BPM | |
 | Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM | |
 | Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Renaud Capuçon, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 73 BPM | |
 | Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | E Major | 0 | 12B | 73 BPM | |
 | Keyboard Concerto in D Minor, Wq. 23, H. 427: I. Allegro | Carl Philipp Emanuel Bach, Michael Rische, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 133 BPM | |
 | Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8752293586730957
End: 0.8803443908691406