Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen
Robert Schumann, Edith Mathis, Christoph Eschenbach
Schumann: Frauenliebe und Leben & andere Lieder
2:38 January 1, 2001
BPM
76
Key
F Major
Camelot
7B

Embed

Share Link

Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen - Robert Schumann, Edith Mathis, Christoph Eschenbach Information

Acousticness
99%
Danceability
30%
Energy
1%
Instrumentalness
0%
Liveness
7%
Loudness
47%
Speechiness
9%
Valence
25%
Popularity
Loudness
-31.824 dB

Summary

Robert Schumann, Edith Mathis, Christoph Eschenbach's 'Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen' came out on January 1, 2001. The duration of Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "Schumann: Frauenliebe und Leben & andere Lieder". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen BPM

With Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen by Robert Schumann, Edith Mathis, Christoph Eschenbach having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen Key

This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) by Jules Massenet, The New Symphony Orchestra Of London, Raymond AgoultLa Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin)Jules Massenet, The New Symphony Orchestra Of London, Raymond AgoultG Major19B82 BPM
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre by François Couperin, Iddo Bar-ShaïLa Petite Pince-Sans-Rire: 21ème ordre, 4ème livreFrançois Couperin, Iddo Bar-ShaïE Minor09A76 BPM
Nocturne in B Flat Major, H. 37 (Version for Harp) by John Field, Magdalena HoffmannNocturne in B Flat Major, H. 37 (Version for Harp)John Field, Magdalena HoffmannB♭ Major16B97 BPM
Schumann: 12 Gedichte aus Friedrich Rückerts Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 7, Schön ist das Fest des Lenzes (Einfach und nicht rasch)Clara Schumann, Friedrich Rückert, Robert Schumann, Edda MoserA♭ Major24B71 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia by Aram Khachaturian, London Symphony OrchestraKhachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and PhrygiaAram Khachaturian, London Symphony OrchestraA♭ Major14B88 BPM
6 Roumanian Folk Dances, BB 68, Sz. 56: 3. In One Spot by Béla Bartók, Zoltán Kocsis6 Roumanian Folk Dances, BB 68, Sz. 56: 3. In One SpotBéla Bartók, Zoltán KocsisB Minor010A97 BPM
Nocturne No. 1 in E Flat Major, H.24 by John Field, Elizabeth Joy RoeNocturne No. 1 in E Flat Major, H.24John Field, Elizabeth Joy RoeE♭ Major05B75 BPM
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio by Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'DuinnPiano Concerto No. 1 in C Major, Op. 11, J. 98: II. AdagioCarl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'DuinnA♭ Major04B95 BPM
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino by Aram Khachaturian, Alexandre TharaudKhachaturian: Children's Album, Book I, Op. 62: No. 1, AndantinoAram Khachaturian, Alexandre TharaudA♭ Major04B90 BPM
ISRC
DEF057902961
Label
L-M Records/RCA Records

Section: 0.5763249397277832

End: 0.5806851387023926