On June 13, 2011, the song "Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Hat man nicht aud Gold beineben" was released by Ludwig van Beethoven, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado. The duration of Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Hat man nicht aud Gold beineben is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Hat man nicht aud Gold beineben's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 30 in Beethoven: Fidelio by Ludwig van Beethoven, Jonas Kaufmann, Nina Stemme, Mahler Chamber Orchestra, Lucerne Festival Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Hat man nicht aud Gold beineben is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Hat man nicht aud Gold beineben by Ludwig van Beethoven, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Schubert: 5 Lieder, Op. 5: No. 2, Nähe des Geliebten, D. 162 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | F♯ Major | 0 | 2B | 111 BPM | ||
Mass in C Major, Op. 86: V. Benedictus | Ludwig van Beethoven, Sir Colin Davis, London Symphony Chorus, Alastair Miles, John Mark Ainsley, Sara Mingardo, London Symphony Orchestra, Sally Matthews | F Major | 1 | 7B | 79 BPM | ||
Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
Hungarian Dance No.13 In D | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 0 | 10B | 127 BPM | ||
Missa Solemnis in D Major, Op. 123: III. Credo: Et resurrexit | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | B♭ Major | 1 | 6B | 96 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Tristan und Isolde / Act 3: "Ich bin's, ich bin's" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | F♯ Minor | 1 | 11A | 93 BPM | ||
Lohengrin, WWV 75 / Act 3: Mein lieber Schwan! | Richard Wagner, James King, Karl Ridderbusch, Gundula Janowitz, Gwyneth Jones, Bavarian Radio Chorus, Heinz Mende, Bavarian Radio Symphony Orchestra, Rafael Kubelík | D Major | 2 | 10B | 81 BPM | ||
Requiem: XIV. Agnus Dei | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra | C Major | 0 | 8B | 173 BPM |
Section: 0.8217518329620361
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