Gioachino Rossini, Enzo Dara, Gloria Banditelli, Fernanda Costa, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly's ' "La Cenerentola / Act 2: "Mi par che quei birbanti"" was released on its scheduled release date, January 1, 1993. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. La Cenerentola / Act 2: "Mi par che quei birbanti"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La Cenerentola / Act 2: "Mi par che quei birbanti"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La Cenerentola / Act 2: "Mi par che quei birbanti" by Gioachino Rossini, Enzo Dara, Gloria Banditelli, Fernanda Costa, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Maddalena penitente, Parte prima "Il trionfo della gratia": Non piango (Aria) | Alessandro Scarlatti, Silvia Picollo, Gloria Banditelli, Europa Galante, Fabio Biondi | D Major | 0 | 10B | 110 BPM | ||
Il Barbiere di Siviglia: Act II: Ma vedi il mio destino - Pace e gioia sia con voi | Gioachino Rossini, Cesare Sterbini, Salvatore Baccaloni, Giuseppe Di Stefano, Alberto Erede | B♭ Major | 3 | 6B | 127 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Cain, overo Il primo omicidio, Pt. 2: No. 2, Ti risponde il ruscelletto | Alessandro Scarlatti, Cristina Miatello, Gloria Banditelli, Concerto Italiano, Europa Galante, Fabio Biondi | D Minor | 1 | 7A | 85 BPM | ||
L'elisir d'amore / Act II: "Poichè, cantar vi alletta" | Gaetano Donizetti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D Minor | 1 | 7A | 79 BPM | ||
Rossini: Il barbiere di Siviglia, Act 2: Sestetto. "Fredda ed immobile" (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | D Major | 1 | 10B | 80 BPM | ||
La Maddalena penitente, Parte prima "Il trionfo della gratia": Mondo, le gioie (Aria) | Alessandro Scarlatti, Silvia Picollo, Gloria Banditelli, Europa Galante, Fabio Biondi | B Major | 0 | 1B | 64 BPM | ||
Andrea Chénier / Act 4: La nostra morte è il trionfo dell'amor | Umberto Giordano, Montserrat Caballé, Luciano Pavarotti, Giuseppe Morresi, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 4 | 2B | 88 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM |