"Sonate, correnti et arie, Op. 4: No. 2, La Luciminia contenta" by Marco Uccellini, Maurice Steger was released on August 21, 2009. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Venezia 1625 by Maurice Steger. The song's track number on the album is #18 out of 18 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Sonate, correnti et arie, Op. 4: No. 2, La Luciminia contenta is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonate, correnti et arie, Op. 4: No. 2, La Luciminia contenta by Marco Uccellini, Maurice Steger has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonate, correnti et arie, Op. 4: No. 2, La Luciminia contenta being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psyche, Act II Scene 1: Dance of Priests | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: II. Galliard | Matthew Locke, Phantasm, Elizabeth Kenny | E♭ Major | 1 | 5B | 115 BPM | ||
Sonatas, Op. 7: Toccata | Marco Uccellini, Hélène Schmitt, Arno Jochem, Markus Markl, Karl-Ernst Schröder | D Major | 1 | 10B | 104 BPM | ||
The Gordion Knot Unty'd, Z. 597: Fourth Act Tune: Jig | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 100 BPM | ||
Sonate, correnti et arie, Op. 4: Aria XIV sopra "La mia Pedrina" | Marco Uccellini, Nicholas McGegan, The Arcadian Academy | E Major | 1 | 12B | 139 BPM | ||
Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: I. Andante | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Folia variations for harp solo | Anonymous, Lucas Ruiz de Ribayaz, Maxine Eilander | B Major | 1 | 1B | 148 BPM | ||
Sonata da chiesa a tre in F Major, Op. 1 No. 1: II. Allegro | Arcangelo Corelli, The Avison Ensemble, Pavlo Beznosiuk | E♭ Major | 2 | 5B | 105 BPM | ||
Airs for the Spring: Ranunculus: I. Aria: Moderato | James Oswald, The Broadside Band | F♯ Minor | 2 | 11A | 85 BPM | ||
A Sonata of Scots Tunes: O Mother what shall I do - Ettrick Banks - She Rose and let me in | James Oswald, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | D♭ Major | 1 | 3B | 87 BPM |
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