"Fulgens iubar ecclesie / Puerpera pura parens" by Guillaume Dufay, Francesca Cassinari, Sveva Martin, Daniela Perlo, Livio Cavallo, Daniela Godio, Cantica Symphonia was released on January 1, 2008. Since Fulgens iubar ecclesie / Puerpera pura parens is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 14 in Dufay, G.: Choral Music by Guillaume Dufay, Cantica Symphonia. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Fulgens iubar ecclesie / Puerpera pura parens is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fulgens iubar ecclesie / Puerpera pura parens by Guillaume Dufay, Francesca Cassinari, Sveva Martin, Daniela Perlo, Livio Cavallo, Daniela Godio, Cantica Symphonia is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mout me fu grief li departir / Robin m'aime, Robin m'a / Portare | Adam de la Halle, Tonus Peregrinus, Antony Pitts | G Major | 2 | 9B | 89 BPM | ||
Secular Music (1426-31): Belle, veullies moy retenir | Guillaume Dufay, The Medieval Ensemble Of London, Peter Davies, Timothy Davies | F Major | 1 | 7B | 110 BPM | ||
Secular Music (1423-33): Pur l'amour de ma doulce amye - A Cappella | Guillaume Dufay, The Medieval Ensemble Of London, Peter & Timothy Davies, Peter Davies, Timothy Davies | E♭ Major | 1 | 5B | 76 BPM | ||
Secular Music (1414-29): Se madame je puis veir | Guillaume Dufay, The Medieval Ensemble Of London, Peter & Timothy Davies, Peter Davies, Timothy Davies | E♭ Major | 1 | 5B | 76 BPM | ||
Huc me sidereo | Adrian Willaert, Singer Pur | A Minor | 1 | 8A | 93 BPM | ||
La Guamina | Adriano Banchieri, Paul O'Dette, The King's Noyse, David Douglass | A Minor | 0 | 8A | 97 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Saltarello and Piva | Joan Ambrosio Dalza, Shirley Rumsey, Christopher Wilson | C Major | 1 | 8B | 115 BPM | ||
Estrinez moy, je vous estrineray | Guillaume Dufay, Catherine King, Steven Harrold, Jane Achtman, Andrew Lawrence-King | F♯ Minor | 1 | 11A | 174 BPM |
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