Guillaume Dufay, The Medieval Ensemble Of London, Peter Davies, Timothy Davies made "Secular Music (1426-31): Belle, veullies moy retenir" available on January 1, 1981. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 22 out of 96 in Dufay: Complete Secular Music by Guillaume Dufay, The Medieval Ensemble Of London, Peter Davies, Timothy Davies. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Secular Music (1426-31): Belle, veullies moy retenir is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Secular Music (1426-31): Belle, veullies moy retenir by Guillaume Dufay, The Medieval Ensemble Of London, Peter Davies, Timothy Davies is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Earl of Essex Galliard | John Dowland, Folger Consort | G Minor | 1 | 6A | 100 BPM | ||
Tastar de corde | Joan Ambrosio Dalza, Shirley Rumsey | C Minor | 0 | 5A | 82 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
Le Jeune: Le Printemps: No. 1, Revecy venir du Printans | Claude Le Jeune, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM | ||
Viderunt omnes No. 1: Notum fecit... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 79 BPM | ||
Frogg Galliard | Hopkinson Smith, John Dowland | G Major | 2 | 9B | 119 BPM | ||
Plainchant for Vespers I (Recollectio festorum beate Marie virginis): Antiphon: Tenebre diffugiunt/Psalm 112: Laudate pueri Dominum | Guillaume Dufay, Kurt-Owen Richards, Mark Duer, Jeffrey Johnson, Peter Stewart, Alexander Blachly | D Major | 0 | 10B | 101 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Daphne | John Playford, Ensemble Buon tempo | E Major | 1 | 12B | 107 BPM |
Section: 0.5121479034423828
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