Daniel Barenboim's 'Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.16 in G minor BWV885' came out on 2004. The duration of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.16 in G minor BWV885 is about 3 minutes long, at 3:20. Based on our data, "Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.16 in G minor BWV885" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 80 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.16 in G minor BWV885 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.16 in G minor BWV885 by Daniel Barenboim is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Pour bercer un convalescent for Two Pianos: III. Andantino espressivo | Reynaldo Hahn, Tal & Groethuysen | A Major | 0 | 11B | 56 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.18 in G sharp minor BWV887 | Daniel Barenboim | A♭ Minor | 0 | 1A | 124 BPM | ||
18 Études, Op. 109: No. 12, Le réveil dans les bois | Franz Burgmüller, Carl Petersson | F Major | 4 | 7B | 194 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Daniel Barenboim | B Minor | 1 | 10A | 109 BPM | ||
Handel: Keyboard Suite in D Minor, HWV 428: VI. Presto | George Frideric Handel, Sviatoslav Richter | F Minor | 2 | 4A | 128 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM |
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