John Adams, Martina Mühlpointner, Kimako Xavier Trotman, Markus Alexander Neisser, Jeannette Friedrich, Darius de Haas, Lilith Gardell, Jonas Holst, Holst Sinfonietta, Klaus Simon's ' "I was Looking at the Ceiling and Then I Saw the Sky: Act I: Leila's Song of the Wise Young Women (Leila, Consuelo)" was released on its scheduled release date, October 18, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 24 in Adams: I Was Looking at the Ceiling and Then I Saw the Sky by John Adams, Klaus Simon. In terms of popularity, I was Looking at the Ceiling and Then I Saw the Sky: Act I: Leila's Song of the Wise Young Women (Leila, Consuelo) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of I was Looking at the Ceiling and Then I Saw the Sky: Act I: Leila's Song of the Wise Young Women (Leila, Consuelo) by John Adams, Martina Mühlpointner, Kimako Xavier Trotman, Markus Alexander Neisser, Jeannette Friedrich, Darius de Haas, Lilith Gardell, Jonas Holst, Holst Sinfonietta, Klaus Simon is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 104 BPM | ||
Peer Gynt, Op. 23, Act III: Prelude (Forspill til Ases dod) [Prelude to the Death of Ase] | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | B Minor | 0 | 10A | 85 BPM | ||
Morton Feldman (1926-1987): Madame Press Died Last Week At Ninety | Morton Feldman, John Adams, Orchestra of St. Luke's | A♭ Major | 0 | 4B | 69 BPM | ||
White Landscapes, Op. 47a: II. Stillness in Snow. Moderato | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, John Barrow, Kate Wilson, Jonathan Price | E Minor | 0 | 9A | 88 BPM | ||
The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 0 | 9B | 76 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
6 Friends: For Rosemary | Ned Rorem, Carolyn Enger | D Minor | 0 | 7A | 0 BPM | ||
Tristan & Isolde: Einleitung | Richard Wagner, Edo de Waart | C Major | 0 | 8B | 82 BPM | ||
Das Rheingold: Vorspiel | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 0 | 10B | 78 BPM |