"Romeo and Juliet, Op. 64: Dance Of The Knights (Transcr. for Solo Violin and Chamber Orchestra)" by Sergei Prokofiev, Daniel Hope, Zürcher Kammerorchester was released on February 2, 2024. The duration of Romeo and Juliet, Op. 64: Dance Of The Knights (Transcr. for Solo Violin and Chamber Orchestra) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Romeo and Juliet, Op. 64: Dance Of The Knights (Transcr. for Solo Violin and Chamber Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 42 in Dance! by Daniel Hope, Zürcher Kammerorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Romeo and Juliet, Op. 64: Dance Of The Knights (Transcr. for Solo Violin and Chamber Orchestra) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Romeo and Juliet, Op. 64: Dance Of The Knights (Transcr. for Solo Violin and Chamber Orchestra) by Sergei Prokofiev, Daniel Hope, Zürcher Kammerorchester is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Symphony No. 1 in C Minor: IV. Finale. Adagio - Allegro | Emilie Mayer, NDR Radiophilharmonie, Leo McFall | A♭ Minor | 0 | 1A | 67 BPM | ||
L'Oiseau de feu (1911 Version): XIX. Disparition du palais et des sortilèges de Kastchei - Animation des chevaliers petrifiés. Allegresse génerale | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Minor | 2 | 5A | 89 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Otto Klemperer, Philharmonia Orchestra | G Minor | 1 | 6A | 96 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
The Four Seasons of Buenos Aires: Primavera Porteña (Spring) (Arr. for Violin and String by Leonid Desyatnikov) | Astor Piazzolla, Isabella d'Éloize Perron, Francis Choinière, Orchestre Filmharmonique | G Minor | 1 | 6A | 89 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM | ||
Petrouchka: Fête populaire de la semaine grasse | Ferenc Fricsay, Berliner Philharmoniker | B♭ Major | 5 | 6B | 73 BPM | ||
Norwegian Dances, Op. 35: No. 2 in A Major | Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 106 BPM |
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