"24 Preludes and Fugues, Op. 87: Prelude No. 3 in G Major: Moderato non troppo" by Dmitri Shostakovich, Konstantin Scherbakov was released on November 30, 2000. With 24 Preludes and Fugues, Op. 87: Prelude No. 3 in G Major: Moderato non troppo being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "Shostakovich: 24 Preludes and Fugues, Op. 87". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. 24 Preludes and Fugues, Op. 87: Prelude No. 3 in G Major: Moderato non troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Preludes and Fugues, Op. 87: Prelude No. 3 in G Major: Moderato non troppo by Dmitri Shostakovich, Konstantin Scherbakov having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Children's Album No. 2 "Sounds of Childhood": No. 6, Two Funny Aunties Argued | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
12 German Dances, D790: No.11 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
53 Studies on the Chopin Études: No. 47 in G-Flat Major "Badinage" (After Chopin's Op. 10 No. 5 and Op. 25 No. 9) | Leopold Godowsky, Konstantin Scherbakov | D♭ Major | 2 | 3B | 86 BPM | ||
Cadenza for W.A. Mozart: Piano Concerto in C Minor (K. 491), WoO 15 | Johannes Brahms, Idil Biret | B♭ Major | 1 | 6B | 76 BPM | ||
Ravel: Le Tombeau de Couperin, M. 68: II. Fugue | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 76 BPM | ||
Mazurka No.44 In G Op.67 No.1 | Frédéric Chopin, Vladimir Ashkenazy | G Major | 2 | 9B | 203 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
24 Preludes, Op. 11: No. 5 in D Major | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 110 BPM | ||
3 Studies for Piano, Op. 18, Sz. 72: No. 2, Andante sostenuto | Béla Bartók, Fülöp Ránki | C Major | 1 | 8B | 135 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM |
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