Leopold Godowsky, Konstantin Scherbakov made "53 Studies on the Chopin Études: No. 47 in G-Flat Major "Badinage" (After Chopin's Op. 10 No. 5 and Op. 25 No. 9)" available on October 27, 2023. With 53 Studies on the Chopin Études: No. 47 in G-Flat Major "Badinage" (After Chopin's Op. 10 No. 5 and Op. 25 No. 9) being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leopold Godowsky, Konstantin Scherbakov's "Godowsky: Piano Music, Vol. 15" album is number 28 out of 31. On top of that, Hong Kong appears to be the country where this track was created. 53 Studies on the Chopin Études: No. 47 in G-Flat Major "Badinage" (After Chopin's Op. 10 No. 5 and Op. 25 No. 9) is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of 53 Studies on the Chopin Études: No. 47 in G-Flat Major "Badinage" (After Chopin's Op. 10 No. 5 and Op. 25 No. 9) by Leopold Godowsky, Konstantin Scherbakov to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Drei Lieder ohne Worte Für Piano, Op. 6: III. Allegro | Signe Lund, Rune Alver | B♭ Major | 0 | 6B | 70 BPM | ||
春に寄す Op.43-6(グリーグ) | 松本和将 | F♯ Major | 1 | 2B | 74 BPM | ||
Studies after Chopin, Op. 10: V. No. 3 - For the Left Hand Alone | Leopold Godowsky, Emanuele Delucchi | D♭ Major | 0 | 3B | 72 BPM | ||
Concert Étude, Op. 35: No. 2, Automne | Máire Carroll | D♭ Major | 1 | 3B | 69 BPM | ||
Rapsodia Mexicana | Jesús Corona, Argentina Durán | G Major | 3 | 9B | 94 BPM | ||
Klavierkonzert Nr. 2 c-Moll Op. 18: 3. Allegro scherzando (Auszug) (Das verflixte siebte Jahr): II. Adagio sostenuto | Sergei Rachmaninoff, Konstantin Scherbakov, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 0 | 5B | 69 BPM | ||
Etudes for Piano, Op. 740: No. 11 in F Major | Carl Czerny, Irina Smorodinova | F Minor | 1 | 4A | 117 BPM | ||
4 Valses oubliées, S. 215: No. 4, — | Franz Liszt, Anna Leyerer | F♯ Major | 3 | 2B | 108 BPM | ||
Piano Sonata in A-Flat Major, Op. 19, BB 12, DD 51: I. Allegro | Béla Bartók, Goran Filipec | E Major | 1 | 12B | 141 BPM | ||
Etudes-tableaux, Op. 39: No. 2 in A Minor (Lento assai) | Sergei Rachmaninoff, Nikolai Lugansky | A Minor | 0 | 8A | 65 BPM |
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