"Martin : Petite symphonie concertante : III Allegretto alla marcia" by Frank Martin, Armin Jordan, Orchestre de la Suisse Romande was released on October 1, 1991. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Frank Martin, Frank Martin, Armin Jordan & Orchestre de la Suisse Romande, Armin Jordan, L'Orchestre de la Suisse Romande's "Martin : Petite symphonie concertante, 6 Monologues & Concerto for 7 Wind Instruments (Apex)" album is number 3 out of 12. Based on our statistics, Martin : Petite symphonie concertante : III Allegretto alla marcia's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Martin : Petite symphonie concertante : III Allegretto alla marcia by Frank Martin, Armin Jordan, Orchestre de la Suisse Romande to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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4 Psalms, Op. 74: No. 2, Guds Son har gjort mig fri (God's Son hath Set me Free) | Edvard Grieg, Audun Iversen, Bård Bratlie, The Norwegian Soloists' Choir, Grete Pedersen-Helgerod | A Minor | 0 | 8A | 128 BPM | ||
Looduspildid: No. 3. Sugismaastikud: Tuul konnumaa kohal | Veljo Tormis, musica intima | E♭ Major | 2 | 5B | 101 BPM | ||
Son of God Mass: Gloria | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | D Major | 1 | 10B | 138 BPM | ||
Holy is the True Light | William Henry Harris, Christ Church Cathedral Choir, Stephen Farr, Stephen Darlington | B♭ Major | 0 | 6B | 130 BPM | ||
Now the Powers of Heaven | Giuseppe Sarti, Estonian Philharmonic Chamber Choir, Paul Hillier | B Major | 1 | 1B | 65 BPM | ||
Ethereal Resonance | LeoRoads | F Major | 1 | 7B | 80 BPM | ||
Ein Totentanz zu Basel im Jahre 1943: Scene 3: Death and the Mother with her Child | Frank Martin, Edith Habraken, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert | G Minor | 1 | 6A | 79 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": IV. Sanctus | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 5, Die grüne Hopfenranke | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | B Major | 1 | 1B | 75 BPM |
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