Johann Adolf Hasse, Il Fondamento, Paul Dombrecht made "Requiem In C Major: VII. Sequentia, Tuba mirum" available on April 1, 2008. With Requiem In C Major: VII. Sequentia, Tuba mirum being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Adolf Hasse, Il Fondamento, Paul Dombrecht's "Hasse: Requiem" album is number 7 out of 29. On top of that, France appears to be the country where this track was created. Requiem In C Major: VII. Sequentia, Tuba mirum is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Requiem In C Major: VII. Sequentia, Tuba mirum by Johann Adolf Hasse, Il Fondamento, Paul Dombrecht to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | ||
Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | F♯ Major | 0 | 2B | 65 BPM | ||
Bach, JS: Mass in F Major, BWV 233: Gloria | Johann Sebastian Bach, Chorus of Collegium Vocale, Ghent, Orchestra Of Collegium Vocale, Philippe Herreweghe, Collegium Vocale Gent, Orchestra of Collegium Vocale Gent | E Major | 4 | 12B | 97 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
Alla tromba della Fama | Baldassare Galuppi, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 3 | 1B | 102 BPM | ||
Strike the viol | Henry Purcell, Carlos Mena, Philippe Pierlot, Ricercar Consort | G Major | 1 | 9B | 172 BPM | ||
Siroe, Re di Persia - Dresden Version, 1763 / Act 2: "A costei che dirò?" | Johann Adolf Hasse, Mary-Ellen Nesi, Julia Lezhneva, Armonia Atenea, George Petrou | F♯ Major | 3 | 2B | 134 BPM | ||
Antonio e Cleopatra: Recitative: Or che la mia fortuna (Marc Antonio) | Johann Adolf Hasse, Jamie Barton, Ava Pine, Ars Lyrica Houston, Matthew Dirst | F Minor | 1 | 4A | 131 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
L'incoronazione di Poppea, SV 308: Sinfonia | Claudio Monteverdi, Pamela Lucciarini, Francesca Cassinari, Alena Dantcheva, José Maria Lo Monaco, Giovanni Caccamo, Emanuela Galli, Roberta Mameli, Ian Honeyman, Xenia Meijer, Makoto Sakurada, Raffaele Costantini, Andrea Favari, Mario Cecchetti, Romina Tomasoni, Claudio Cavina, La Venexiana | F Major | 2 | 7B | 97 BPM |
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