"Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo" by Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann was released on February 10, 2014. With Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 14 in C.P.E. Bach: Magnificat, Wq. 215 by Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann. In terms of popularity, Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo by Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Die Zauberflöte, K. 620, Teil II: No. 21, Auftritt - Duette "Pa - Pa - Pa" (Papageno, Weib) | Wolfgang Amadeus Mozart, René Jacobs, Akademie für Alte Musik Berlin, Daniel Schmutzhard, Sunhae Im | A Major | 1 | 11B | 78 BPM | ||
Sinfonia in F Major, Fk 67: III. Allegro | Wilhelm Friedemann Bach, Akademie für Alte Musik Berlin, Stephan Mai | E♭ Major | 1 | 5B | 87 BPM | ||
Concerto 5 in A Minor, Op. 7: II. Largo-Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 1 | 12B | 82 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 130 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 2: IV. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 3 | 5A | 149 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi - Andantino | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Major | 0 | 1B | 89 BPM | ||
Mozart: Divertimento in F Major, K. 138 "Salzburg Symphony No. 3": III. Presto | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | E Major | 1 | 12B | 135 BPM | ||
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 90 BPM | ||
Serenade No. 10 in B-Flat Major, K. 361, "Gran Partita": I. Largo - Molto allegro | Wolfgang Amadeus Mozart, Akademie für Alte Musik Berlin | B♭ Major | 3 | 6B | 128 BPM |
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