"Andrea Chénier: Act I: Un di all'azzurro spazio" by Umberto Giordano, Franco Corelli, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile had its release date on September 1, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 79 in the song's album "THE COMPLETE CETRA RECORDINGS". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Andrea Chénier: Act I: Un di all'azzurro spazio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Andrea Chénier: Act I: Un di all'azzurro spazio by Umberto Giordano, Franco Corelli, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: I Puritani, Act 2: "O, rendetemi la speme" (Elvira) | Vincenzo Bellini, Maria Callas, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | E♭ Major | 2 | 5B | 90 BPM | ||
Andrea Chénier (1994 Digital Remaster), ATTO PRIMO: Via, v'affrettate (Contessa/Gérard/Maddalena/Bersi) | Umberto Giordano, Luciana Moneta, Mario Sereni, Antonietta Stella, Stefania Malagu, Coro del Teatro dell' Opera di Roma, Gianni Lazzari, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma | G Major | 1 | 9B | 55 BPM | ||
Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM | ||
Giordano: Marcella: "È finita" | Umberto Giordano, Saioa Hernández, Carlo Montanaro, Orquesta Sinfónica de Madrid | A Major | 1 | 11B | 85 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Andrea Chénier, Act III: La mamma morta | Umberto Giordano, Angela Gheorghiu, Marco Armiliato, Royal Philharmonic Orchestra | B Minor | 1 | 10A | 61 BPM | ||
Una furtiva lacrima | Beniamino Gigli | F Minor | 1 | 4A | 78 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM |