"Suite à 3 in G Minor (Ed. R. Gwilt): X. Plainte" by Marin Marais, London Baroque had its release date on April 1, 2005. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Suite à 3 in G Minor (Ed. R. Gwilt): X. Plainte's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Trio Sonata In 17th-Century France". In this album, this song's track order is #26. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Suite à 3 in G Minor (Ed. R. Gwilt): X. Plainte is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite à 3 in G Minor (Ed. R. Gwilt): X. Plainte by Marin Marais, London Baroque having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
A Dream | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 119 BPM | ||
Alcione, Prologue: Prélude - "A l’éclat de vos chants" | Marin Marais, Jordi Savall, Antonio Abete, Lisandro Abadie, Sebastian Monti, Le Concert Des Nations | A♭ Major | 1 | 4B | 65 BPM | ||
Serenata con violini (Sinfonia), Op. 8 | Barbara Strozzi, Ensemble Poïésis | A♭ Minor | 0 | 1A | 97 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Planctus Caravaggio I (Jordi Savall) | Sergi Casademunt, Fahmi Alqhai, Riccardo Minasi, Jordi Savall, F. Heumann, Andrew Lawrence-King, Luca Guglielmi, Xavier Puertas | G Minor | 0 | 6A | 171 BPM | ||
Pièces à deux violes du Premier Livre, Suite en sol majeur: VIII. Tombeau de Mr Meliton (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | F♯ Minor | 0 | 11A | 79 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | A♭ Minor | 3 | 1A | 73 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
Sonata Sesta in F Major: II. Allemande | Philipp Heinrich Erlebach, L'Achéron, François Joubert-Caillet | F♯ Major | 2 | 2B | 116 BPM |