Traditional, The Priory Singers, Belfast, Philip Stopford, Harry Grindle's 'Moville "Christ Is the World's Redeemer"' had a release date set for January 11, 2006. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Priory Singers, Belfast, Philip Stopford, Harry Grindle's "Hymns of Love, Hope & Joy" album is number 20 out of 29. In terms of popularity, Moville "Christ Is the World's Redeemer" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Moville "Christ Is the World's Redeemer" by Traditional, The Priory Singers, Belfast, Philip Stopford, Harry Grindle to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Responsorium | Chants From the Holyland- Graz Gregorian Chants School of Austri | B Minor | 2 | 10A | 73 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Psalmus quarti toni Beatus vir | Thomas Stoltzer, Amarcord | F♯ Minor | 0 | 11A | 74 BPM | ||
Presanctified Liturgy: Hymn of the Great Entrance | Choir of the Monks of Chevetogne | B♭ Minor | 1 | 3A | 170 BPM | ||
My Lord, What a Mornin' (arr. H.H.T. Burleigh) | Harry Burleigh, Traditional, Choral Arts, Robert Bode | E♭ Major | 0 | 5B | 79 BPM | ||
In stiller Nacht | Johannes Brahms, Dresdner Kreuzchor, Rudolf Mauersberger | D Major | 0 | 10B | 90 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Alma Redemptoris (Antiphona) | Capella Gregoriana Easo | D♭ Major | 2 | 3B | 109 BPM | ||
The Three Hermits: Pilgrims' Hymn | Stephen Paulus, Westminster Williamson Voices, James Jordan | G Major | 0 | 9B | 134 BPM |