"Hoffmann: Schlage doch, gewünschte Stunde (Formerly Attributed to JS Bach as BWV 53)" by Melchior Hoffmann, Jean-François Paillard, Birgit Finnilä, Marie-Claire Alain, Orchestre de chambre Jean-François Paillard was released on March 25, 2022. Since Hoffmann: Schlage doch, gewünschte Stunde (Formerly Attributed to JS Bach as BWV 53) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 162 out of 169 in Bach: Brandenburg Concertos, Keyboard Concertos, Violin Concertos & Orchestral Suites by Johann Sebastian Bach, Jean-François Paillard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Hoffmann: Schlage doch, gewünschte Stunde (Formerly Attributed to JS Bach as BWV 53) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hoffmann: Schlage doch, gewünschte Stunde (Formerly Attributed to JS Bach as BWV 53) by Melchior Hoffmann, Jean-François Paillard, Birgit Finnilä, Marie-Claire Alain, Orchestre de chambre Jean-François Paillard is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | ||
Magnificat in B flat major: Sicut erat in principio | Francesco Durante, Thomas Hengelbrock | A Major | 2 | 11B | 125 BPM | ||
Missa in Angustiis "Lord Nelson Mass": Missa in Angustiis "Lord Nelson Mass": IV. Quoniam | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | D Major | 3 | 10B | 123 BPM | ||
Meine Seele rühmt und preist, BWV 189: 1. Aria: Meine Seele rühmt und preist | Melchior Hoffmann, Walther Ludwig, Ilse Brix-Meinert, Gustav Scheck, Hermann Töttcher, Renate Noll, Fritz Lehmann | C Major | 4 | 8B | 96 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Meine Seele ruhmt und preist (attrib. J.S. Bach, BWV 189): Aria: Meine Seele ruhmt und preist (Tenor) | Melchior Hoffmann, Markus Schäfer, Cologne Chamber Orchestra, Helmut Muller-Bruhl | A Minor | 1 | 8A | 85 BPM | ||
Ouverture in G Minor: V. Fantaisie | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Minor | 2 | 4A | 103 BPM | ||
Die ausgesöhnte Eifersucht oder Cephalus und Procris: Einsamkeit, du Qual des Hertzen (Arie) | Johann Philipp Krieger, Núria Rial, Julia Schröder | B Minor | 1 | 10A | 96 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: IX. The airy Violin | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Robin Blaze | D♭ Major | 1 | 3B | 73 BPM |
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