Trois Chansons de René Morax pour Chant et Piano (1926): No. 1, Chanson des Sirènes
Arthur Honegger, Holger Falk, Steffen Schleiermacher
Honegger: Melodies et Chansons
1:23 August 13, 2021
BPM
106
Key
E Minor
Camelot
9A

Embed

Share Link

Trois Chansons de René Morax pour Chant et Piano (1926): No. 1, Chanson des Sirènes - Arthur Honegger, Holger Falk, Steffen Schleiermacher Information

Acousticness
99%
Danceability
19%
Energy
2%
Instrumentalness
78%
Liveness
7%
Loudness
46%
Speechiness
4%
Valence
7%
Popularity
Loudness
-32.191 dB

Summary

"Trois Chansons de René Morax pour Chant et Piano (1926): No. 1, Chanson des Sirènes" by Arthur Honegger, Holger Falk, Steffen Schleiermacher was released on August 13, 2021. With Trois Chansons de René Morax pour Chant et Piano (1926): No. 1, Chanson des Sirènes being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Honegger, Holger Falk, Steffen Schleiermacher's "Honegger: Melodies et Chansons" album is number 7 out of 46. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Trois Chansons de René Morax pour Chant et Piano (1926): No. 1, Chanson des Sirènes is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Trois Chansons de René Morax pour Chant et Piano (1926): No. 1, Chanson des Sirènes BPM

We consider the tempo marking of Trois Chansons de René Morax pour Chant et Piano (1926): No. 1, Chanson des Sirènes by Arthur Honegger, Holger Falk, Steffen Schleiermacher to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Trois Chansons de René Morax pour Chant et Piano (1926): No. 1, Chanson des Sirènes Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Natko Devčić: Istrian Suite: II. Leaping Dance by Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio OrchestraNatko Devčić: Istrian Suite: II. Leaping DanceNatko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio OrchestraF Minor24A80 BPM
Shchedrin: Carmen Suite: I. Introduction (after Bizet's opera) by Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail PletnevShchedrin: Carmen Suite: I. Introduction (after Bizet's opera)Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail PletnevD♭ Major43B154 BPM
Trombone Concerto No. 12, Op. 52: Allegro moderato - by Vagn Holmboe, Jesper Juul Sorensen, Danish National Symphony Orchestra, Henrik Vagn ChristensenTrombone Concerto No. 12, Op. 52: Allegro moderato -Vagn Holmboe, Jesper Juul Sorensen, Danish National Symphony Orchestra, Henrik Vagn ChristensenE Minor19A76 BPM
Darkness by Christian Lindberg, Símon Bolívar Symphony OrchestraDarknessChristian Lindberg, Símon Bolívar Symphony OrchestraB♭ Major86B133 BPM
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato by Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz HolligerPelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderatoCharles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz HolligerE Major112B94 BPM
Carmina by True LUFS ProjectCarminaTrue LUFS ProjectC Major28B90 BPM
Katya Kabanova, JW I/8, Act II Scene 2: Introduction by Leoš Janáček, Sir Simon Rattle, London Symphony OrchestraKatya Kabanova, JW I/8, Act II Scene 2: IntroductionLeoš Janáček, Sir Simon Rattle, London Symphony OrchestraA♭ Major04B79 BPM
Josephs-Legende, Op. 63, TrV 231: Allegro moderato - Eine mächtige Säulenhalle im Stil des Palladio by Richard Strauss, Staatskapelle Halle, Fabrice BollonJosephs-Legende, Op. 63, TrV 231: Allegro moderato - Eine mächtige Säulenhalle im Stil des PalladioRichard Strauss, Staatskapelle Halle, Fabrice BollonG Major49B76 BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: IV. AdagioArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonD Major110B82 BPM
Symphony No. 3 in F Major, Op. 90: II. Andante (4) by Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van ZwedenSymphony No. 3 in F Major, Op. 90: II. Andante (4)Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van ZwedenF Major07B67 BPM
ISRC
DEA142120307
Label
L-M Records/RCA Records

Section: 0.6000018119812012

End: 0.6044940948486328